一部分人认为,摄影是绘画的一种延伸,不论这种说法对不对,画意派摄影家都曾主宰了19世纪的摄影圈。在VivienneMok的作品中,窗既是光源所在,又昭示了另一明亮而梦幻的空间,光仿佛是另一空间的来使,被细纱阻隔 柔化,与模特融合成性感而又娇柔的唯美画面。
Using the solitary and open space of the ocean environment, she takes the underwater aesthetic and makes her own magical setting. Her images capture the deep, and often complex subconscious connections, we have to oceans, lakes and waterways.