联考步步逼近，即将上战场的艺考生们整装待发。越是临到考前，越容易发现自己的不足。有的同学可能到现在还不清楚速写中人物衣服上的褶皱到底该怎么画。许多美术生总是祈祷，速写考题中的人物少穿点衣服，少一点衣服就可以少画一点衣褶......然而，现实很残酷。
自从上周六“宋韵今辉”艺术特展开展以来，“杭城顶流”“超级大展”“南宋四家‘刘李马夏’”“800年前西湖山水”等等关键词都是不得不去的理由。但真到中国美院美术馆了，4层5个展，你要怎么逛？这些古画的门道有多少？除了配套的37件（套）古画，为什么还有油画和临摹画？
Abstract: In the Ming Dynasty， Zou Dezhong’s Compilation of Painting Things and Pointing To Enlightenment is the first known traditional figure painting book containing “18 etc. of ancient and modern depictions”. These “Eighteen Strokes” are the summaries of the line drawing techniques of the characters from the Northern and Southern Dynasties to the Yuan Dynasty summarized and sorted out by Zou Dezhong， referred to as “Eighteen Strokes”. Later， after the continuous addition and interpretation of the Ming and Qing dynasties， the “Eighteen Strokes” type of painting spectrum evolved into a three-in-one style consisting of the description name， the description interpretation and the spectrum schema. This paper examines the rheological changes of the “Eighteen Strokes” of the Ming and Qing dynasties by using the historical document method， and tries to clearly establish a research framework for the inheritance and evolution of such paintings， aiming to reveal how the names of “Strokes”， the interpretation of the descriptions， and patterns have changed.
